RIP Pete Shelley - Buzzcocks

By all accounts he was a lovely guy. A great musician & songwriter. They all were in that AMAZING, BRILLIANT band. I cant say I knew Pete Shelley well at all. Yes, I met him quite a few times back in the late 1970’s. But, I didn’t really get to know him. But, I know quite a few people who did. I must say, I never heard a bad word said about him.

 Buzzcocks - The Rainbow Theatre, London Nov 1979

Buzzcocks - The Rainbow Theatre, London Nov 1979

Buzzocks were, back in 1979 pretty big. I was living in between London, New York and Los Angeles around that time. There was no internet, twitter, facebook mobile phones, whats app etc etc. Therefore, it was kind of hard for me to keep up to speed with the very different music scenes. California was VERY laid back, New York was, laid back, country, blues, Punk & rock. London was everything! I also felt that it was like the sixties, very much a hotbed of talent with Punk, New Wave, Ska, Rock, everything.. I could only keep up with various music trends, bands and happenings via, Melody Maker, Sounds, NME for UK and Rolling Stone, Circus and Creem for USA. So, when I flew back into a foggy London from NYC in autumn 1979 I was keen to hit the ground running and get to shoot as many British bands I could. Saying that, I used that term metaphorically speaking. I preferred to slowly land in comfort aboard a nice 747 PanAm or TWA plane. So, November the 9th I went over to the Rainbow Theatre in London’s Finsbury Park to photograph Buzzcocks. Excuse the pun, but, there was a big Buzz around the Buzzcocks at that time.. Looking back now at that show is hard, as it’s distant in my mind. However, I do remember it being a great show and musically brilliant. It was a full house rammed with thousands of people. Buzzcocks had such an amazing following fo loyal fans. So, poor Pete Shelley has now left us. He was young, only 63! It must be very sad for his family and loved ones that he has left behind. These two of my photos are from that amazing gig at The Rainbow Theatre, London November 9th 1979. RIP Pete Shelley and long live Buzzcocks! #Buzzcocks #Punk #PunkRock #1979 #PeteShelley #Music #RealMusic #MusicLegends @Buzzcocks #RainbowTheatre #London

 Buzzcocks - The Rainbow Theatre, London Nov 1979

Buzzcocks - The Rainbow Theatre, London Nov 1979

Eric Clapton - Sunshine of Your Love

Back in 2003/04 I found myself travelling around various parts of the world photographing Eric Clapton. Japan, Europe and USA. Whilst on the US leg of the tour, Mr Clapton organised a massive concert for his Crossroads Charity. It was a 3/4 day event in Dallas. It was so hot in Dallas that weekend. I think it was about 150 degrees. Ok, that was maybe a slight exaggeration, but believe me it was incredibly hot. So much happened that weekend and it was very busy and a lot of fun. My brother Simon was also there as he lives in LA. There were so many people that I knew there and lots of friends. Obviously the wonderful Tony Edser & Where’s Eric team. Other great friends of mine, Joyce and Sam Moore (Sam & Dave), Billy Preston, Michelle Breger & Sandy. Last year I got a call from Genesis Publications. They were producing a very exclusive limited edition book for Eric Clapton. It was going be called Eric Clapton & Friends, Sunshine of Your Love. Genesis Publications had been told that I was official photographer for that event and they had been asked by Eric Clapton’s office to get in touch and ask to see my photos from the event. So, I edited up a few hundred photos and off they went. Its been quite a time, but, early this morning a courier arrived with my Official Crossroads Guitar Festival Limited Edition book of which there will only be 2000 copies. I was rather touched as it was personally signed by Eric Clapton. There was also a lovely letter enclosed thanking me for my ‘Valuable Contribution’. The reason I have mentioned this is not to be brash or anything like that. Obviously I was paid for this, but, the fact that I have been thanked in this way with a nice letter is quite rare these days and I really appreciated it. Now,  about the book! Yes, it’s beautifully produced and full of some fantastic photographs. Mine were only from that particular event. There were other Crossroad events and they are in there as well. There are some great photos from some brilliant photographers and friends of mine. Robert Knight, Kevin Mazur, Michael Putland & Jun Sato to name a few. So, if they are not yet all sold out, get on the www.genesis-publications.com and try and buy one. It really is a collector’s piece and one to keep! I am very proud to have so many of my photos in this beautiful book.

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Miel's EP Launch Party with WWF

Last night was the much anticipated launch of Miel’s EP. I must say I have heard snippets of her new music at the odd rehearsal and also in the recording studio. But, to hear it live with such an enthusiastic audience was something rather special. In line with everything Miel does, it was a superb evening in West London. The amazing restaurant called ‘Ours’ on Brompton Road, London was completely taken over for this event.

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 WWF International Director General, Marco Lambertini speaking about WWF & our planet.

WWF International Director General, Marco Lambertini speaking about WWF & our planet.

The most senior people from the WWF came over from Geneva, Switzerland to hear the new music. Marco Lambertini The Director general of the WWF International was there with Will Skinner. This charity has been one of Miel’s passions since she was a child and to be honest, the WWF’s cause is MUCH more than saving Pandas. It’s really ALL about our planet. So, take a look at their website and donate and get involved..

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The room was called a ‘Living Room’ and how appropriate as it was. Miel’s EP has three tracks, 1, I Was Given Nature. 2, Unique Flower. 3 How Are You So Grounded. So, with the link to the WWF and her songs, the living Room with tree’s and plants growing everywhere was rather spectacular.

The WWF have chosen Miel’s single I Was Given Nature to represent a new campaign by the WWF called Connect2earth. Which in itself is quite something!

So, hearing Miel and her phenomenal band play her new songs in this setting was breath taking!

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 The audience loved it..

The audience loved it..

 I had to shoot through the tree to get a photo at this point. Now this was not a usual stage setting and it was beautiful.

I had to shoot through the tree to get a photo at this point. Now this was not a usual stage setting and it was beautiful.

 Miel here jumping back on stage as the crowd were demanding an Encore.

Miel here jumping back on stage as the crowd were demanding an Encore.

 Brother & Sister! Miel with her brother, Alain de Botton after the show.

Brother & Sister! Miel with her brother, Alain de Botton after the show.

I have been working with Miel for about 5 years now and I have watched her go from strength to strength with her music career guided by the incredibly talented Andy Wright, which is now gathering pace beautifully. Miel is not only one of the nicest, kindest, thoughtful people I know, but, very, very talented. Not to mention determined. So, please go and check out her new music and also, if you can check out the WWF and maybe make a donation.

#Miel #MielMusic #IWasGivenNature #Ours #WWF #Music #AndyWright #SamSwallow

 

80's Symphonic - Bowie, Tina Turner, Simple Minds, Simply Red, A-Ha & more

What have David Bowie, A-HA, Simple Minds, Ultravox, Echo & The Bunnymen, Bronski Beat, Howard Jones, Tina Turner, Simply Red, Chris Rea, Chicago, Roxette, Foreigner, The Cars & The Pretenders got in common? Well, they are all on this wonderful new album titled, ‘80’s SYMPHONIC’ released on 9th of November 2018.

It is full of some of the most amazing songs, but, with the addition of a stunning orchestra. I suppose I have cause to be slightly biased, as I was involved in this project as photographer. However, Andy Wright, one of the world’s best and most in demand record producers, who I am proud to say a great friend of mine, has produced this masterpiece. Andy was Warner Brothers first choice for this for many reasons. A couple of them are;- He is exceptionally good at his job. He has worked as a producer with many of these artists. In fact, I understand that Andy has produced around 10 albums for Simply Red alone. Let alone his work with the other bands mentioned above. The orchestrations on this album were created by the brilliant Sam Swallow, who I have worked with quite a lot as well. He is such a clever fellow and he has done a beautiful job here on ‘80’s Symphonic’. So, we have all of the original tracks with the addition of magical dust from Andy Wright & Sam Swallow. A-HA - Take On Me, Simple Minds - Alive & Kicking, Ultravox - Vienna, Tina Turner - What’s Love Got to Do with It, The Cars - Drive, Simply Red - Holding Back The Years. David Bowie - Lets Dance. By the way, that track by Bowie was brilliantly orchestrated / produced by Nile Rodgers. Obviously Nile was the first choice for this track as he had worked with David Bowie on quite a few things as well as being a legend and lovely guy as well. David Bowie’s estate insisted that Nile worked on this track as Nile knew how David Bowie would have wanted it to sound.

There are more on tracks on this album, but you get the idea I am sure. These are big bands with big songs. All of which sound stunning. Stuart Crouch has also done a fantastic design job on the album cover and booklet. As did Gavin Goldberg who was engineered and mixed the album assisted by Lewis Chapman. All great guys brilliant at their jobs and friends of mine as well. Here are some photos during the making of the album at Abbey Road. Some photos were taken in Studio 2 of Beatles fame and some in Studio 1. In fact that’s silly of me because everyone seems to have used those studios.  

 Sam Swallow & Andy Wright in Studio 2, Abbey Road Studios.

Sam Swallow & Andy Wright in Studio 2, Abbey Road Studios.

 Sam conducting in Studio 2, Abbey Road Studios.

Sam conducting in Studio 2, Abbey Road Studios.

 Sam in Studio 2, Abbey Road Studios.

Sam in Studio 2, Abbey Road Studios.

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 Gavin Goldberg running back up to the control room in Studio 2. The same route that many a famous performer has taken. Including the FAB Four (The Beatles)..

Gavin Goldberg running back up to the control room in Studio 2. The same route that many a famous performer has taken. Including the FAB Four (The Beatles)..

 Andy Wright producing up in the control room in Studio 2. Looking down at the Orchestra. To his right is the charming, Lee Alexander.

Andy Wright producing up in the control room in Studio 2. Looking down at the Orchestra. To his right is the charming, Lee Alexander.

 Nile Rodgers in Studio 1 during the Lets Dance, David Bowie track.

Nile Rodgers in Studio 1 during the Lets Dance, David Bowie track.

Also, some of my photos from Tuesday evening at Abby Road in Studio 3, where Andy, Sam & Nile did a bit of a press Q&A.

 Andy Wright & Nile Rodgers

Andy Wright & Nile Rodgers

 The Question & Anwer session held in Studio 3 at Abbey Road. Andy Wright & Sam Swallow.

The Question & Anwer session held in Studio 3 at Abbey Road. Andy Wright & Sam Swallow.

 Sam Swallow, Andy Wright & Nile Rodgers.

Sam Swallow, Andy Wright & Nile Rodgers.

 Andy Wright & Nile Rodgers.

Andy Wright & Nile Rodgers.

Warner Brothers told me that they will be taking this out on the road next year around the UK. Oh and A-HA are on TV in the UK tomorrow evening (9th of Nov) promoting this, which is nice!

The album is released on the 9th of November. With Xmas around the corner, I think it will be a great success. Saying that, I am waiting for critics to have a pop at them for this album. Only because that seems the fashion these days! After all, only a week or so ago the critics were pretty much full of bad revues for Bohemian Rhapsody. Oh, how wrong they were as its now probably the most successful film in the world right now and like Bohemian Rhapsody, this album ‘80’s Symphonic’ is brilliant.

Bohemian Rhapsody

Well, it’s been a week since I went and saw the fantastic Bohemian Rhapsody. I loved it. I am going to go and see it again as soon as I can. I am sure I have mentioned this already on social media, but, it brought so many fabulous memories back. I had something forwarded to me during the week which again, I thought was nice. It was one of the first photos I took of Freddie. Along the side of the photo was the story of what happened when we met. This was under the stage at Hyde Park, London in, I think, 1976.

I need to actually sit in a darkened room and really concentrate on that day (and others) and I will then be able to recall some of the other things that happened back in those days. Or, it would be easier if I actually went and got out my old diaries and read them. Yes, that would be a help.

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I was at school and had decided that I wanted to be a photographer. I was finishing off my exams and I started looking for a job. I opened up The British Journal of Photography and looked through the adverts. One just jumped out at me. It looked exciting and they were paying £11 per week, woohooo! Now, I was about 15 and yes, we could leave school at that age here in the UK in those days. I phoned the number in the advert and the company looking for a messenger in their photo library was Fox Photos Press Agency in Farringdon Road, London. I recall that the man who I spoke to was Tom Smith. I got a train straight into London and met him. He gave me the job straight away. On my first day working at Fox I met a girl who also worked in the library, her name was Shirley. I told her I wanted to be a music photographer. She said, well, you had better photograph Queen then! All she ever spoke about was Queen. So, I took her advice and started to keep an eye on them and I tried to find out where they were playing and touring. It wasn’t easy in those days. No mobile phones, no internet, no facebook, no twitter. Just music papers and fan clubs. So, when I had the chance to stumble upon them I did.

 Hyde Park, London 1976

Hyde Park, London 1976

 The Forum, Los Angeles 1980

The Forum, Los Angeles 1980

 Wembley London 1978

Wembley London 1978

Well, I am so glad I did get to work with them. What a band, what musicians, what incredible songs. I got myself a little bit involved with them when they were managed by John Reid. He was always lovely to me. At the time, he was also managing Elton John. I spent a bit of time with them through the late 70’s and early 80’s in the US. They were fabulous times. I still do work with Queen and Brian. In fact it was through Brian that I was asked to work with Nelson Mandela and his 46664 charity. One of the things we did was very Queen based, although very sadly, now without Freddie. It was 200 miles North of the Arctic Circle, in Tromso, Norway. Here is a shot of the rehearsals up there. Brian was rehearsing with Zucchero, Jamie Moses, & Spike Edney (SAS Band).

 The Arctic 2005

The Arctic 2005

The man running the show was, for those of you who have seen Bohemian Rhapsody, Miami Beach himself.. Yes, that really is Jim Beach, Queen’s manager. And here he is being slightly camera shy..

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Here is a shot of Brian on stage with Freddie on the screen. I think this was around 2005 and funnily enough, it was where it all started for me, Hyde Park..

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Keystone Roses - What a fun gig at The 100 Club - London

Some of you may know that I held my first exhibition in London at the HQ of my wonderful Lawyers, Keystone Law a month or so ago. Well, some of the very talented lawyers are also incredibly brilliant musicians and singers.. Yes, it’s true.. They are brilliant.. There is a charity called #LawRocks and it’s rather Global. So, the British heats were held last night at the legendary 100 Club in Oxford St, London. There were quite a few different UK law firms competing to go through to the next international round. Anyway, I raced down from Leicestershire late afternoon and obviously hit all of the rush hour traffic. I finally skidded into a parking spot just off Oxford St and ran to the 100 Club with cameras at the ready. As I flew down the stairs probably for my 100th time at least as I have been going there since the mid early 1970’s.. Anyway, as I ran into the main area there they were, on stage and in full flight.. The Keystone Roses as they are known. I knew it was them immediately as there were so many people screaming and singing along all wearing pre printed ‘Keystone Roses’ Tee shirts. It was obviously well organised. I wouldn’t have expected anything less from Keystone Law.. I photographed what was left of their set. They really were sooo good.. I was very pleasantly surprised.. Then on came the other bands from other Law Firms around the UK. I decided to wait and watch them all as I heard that the judges would be deciding there and then who the winning band was to be.. So, moving on to the end of the evening and as far as I was concerned, The Keystone Roses were by far the best band by a country mile…”They was robbed Guv”. I cant remember the name of the band who won, but, its for charity, so, well done to them.. As far as The Keystone Roses go, well onwards and upwards for them. Maybe Eurovision? They were a lot of fun and they looked like they really enjoyed it. I guess it was quite a contrast from their normal life as top drawer, high flying lawyers as well as all of them being absolutely lovely people.. Here are some photos of the Keystone Roses in action. #KeystoneLaw #Lawyers #LawRocks #Music #100Club #OxfordSt #Charity #Solicitors

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The wonderful Rick Parfitt OBE

Whilst I was at school in the early to mid 1970’s, I remember writing the names of my favourite bands all over the cover of one of my books. I still have that book somewhere. I had Led Zeppelin, Deep Purple, Pink Floyd, Yes, ELP and of course, Status Quo. They were, like the other bands i just mentioned, enormous and brilliant… Quo had massive hits in the UK and around the world, saying that, not so much in the USA, but big hits almost everywhere else. In the late 1970’s Status Quo had another whopping great big hit with a Creedence Clearwater Revival (John Foggerty hit), ‘Rocking All Over The World’. Now, the good looking, blonde geezer in Quo, Rick Parfitt, heard the John Foggerty version of that song on the radio in his car. According to Rick, he told me that it was a bit of a light bulb moment when he heard it. The original song was slow and melodic. Rick thought, “hold on, we could do this and it could be really rocky”. The next thing Quo had it on their new album, which incidentally was produced by the genius and lovely guy, Pip Williams. They had to quickly do a music video for the British TV show ‘Top of the Pops’. Then all of a sudden, entering stage left, was the quite young and eager me! I was asked by Ivor Arbiter, the boss of Soho Sound House, and Fender importer, to go and photograph Status Quo. They were using products that Ivor Arbiter was importing and distributing throughout the UK & Europe. I arrived, as instructed, at a studio called Ewarts in Wandsworth, South London, around lunchtime. As I arrived, I walked straight into the band, or at least 3 out of 4 of them. There were so many people there. It was very busy. They hadn’t started filming yet. They were standing and chatting whilst two people were standing on a short ladder to the right hand side of the stage. Those two people who I didn’t know were, (Tour manager) Bob Young & their manager, Colin Johnson. They were hanging up a puppet. This was supposed to look like Alan Lancaster, Quo’s Bass guitarist, who was still in Australia and was going to miss this video recording. Everyone thought it was very funny having a puppet hanging there. Anyway, the band took their places, the music started and they did their first take of the Quo version of ‘Rocking All Over The World.’ I have to be honest here, I was absolutely stunned. I had never heard it before and I LOVED it. I was excited and was a little overwhelmed being there with one of my favourite bands. This wasn’t the first of my favourite bands that I had worked with, but, nonetheless, I was very excited. The director of this video was Mike Mansfield. He had produced and directed many music videos and TV shows. He took a shine to me, but that’s another story and one that will go in my book..

 This was taken during the filming of ‘Rocking All Over The World’. You can see the hanging puppet on the right replacing the absent Alan Lancaster. Also, the reason i was there in the first place, the Vox AC30 amplifiers behind the band..

This was taken during the filming of ‘Rocking All Over The World’. You can see the hanging puppet on the right replacing the absent Alan Lancaster. Also, the reason i was there in the first place, the Vox AC30 amplifiers behind the band..

Anyway, I photographed the making of this video and loved every second of it. Towards the end of the filming, Colin Johnson, the bands manager, said to me that he had a bit of work for me. He told me to be at a film studio next week and bring my overnight bag, as well. So, next week I arrived at, I think, Bray Film Studios, near Windsor in the UK. I found the hangar where Status Quo were rehearsing. I told security that I was with the band. There was nobody there when I got there at about 9am. However, the place was full of Status Quo equipment, amps, guitars, drums etc.. So, I sat there like an obedient puppy for about 6-7 hours, just wondering if this was a wind up and they had been and gone, leaving some equipment behind that would soon be collected and stored away. Then suddenly I heard the giant shutter doors opening at the end of the hangar. I thought, here we go, who is this then? In drove a metallic green Porsche 911. It parked in the corner and out jumped Rick Parfitt. The road crew had also arrived and walked in. Then suddenly another Porsche 911 arrived and it was metallic light blue, out jumped Francis Rossi. Then a white Range Rover and this time, the fabulous drummer, John Coghlan. Alan Lancaster arrived by limo as he had come straight from Australia. Then another Porsche arrived, I thought who is this then? Out jumped their tour manager, Bob Young. I thought to myself, blimey, Quo look after their tour manager! I subsequently, found out that Bob was co-writer of many of Quo’s big hits.. So, that might explain the Porsche. The band then immediately started rehearsing. They were loud, tight and it was bloody exciting for me.

 A quick rehearsal before we all jumped on the tour bus. That was my first tour with Status Quo..

A quick rehearsal before we all jumped on the tour bus. That was my first tour with Status Quo..

Just a handful of people standing in front of them watching and listening to them. After about an hour, Colin Johnson said, okay everyone, ‘On the bus please” I remember looking at Colin Johnson and just waited for him to look at me and give me a nod or something. I didn’t know if I was going on this tour bus or not. He then did look over and said, “come on Danny boy, get on the bus'“. I then joined the band on the tour bus.

 I had some of my best times on the road with Status Quo. Here is one inebriated Rick Parfitt in his hotel bed singing away. I think this was The Albany Hotel, Glasgow, Scotland.

I had some of my best times on the road with Status Quo. Here is one inebriated Rick Parfitt in his hotel bed singing away. I think this was The Albany Hotel, Glasgow, Scotland.

 Me with most of the band on the road in the early days.. Yes, I did have hair! Thats me with the fro! L-R Bob Young, Andrew Bown, John Coghlan, Danny Clifford, (Quo’s driver) and sitting on the floor with his arms round my leg is the wonderful Rick Parfitt..

Me with most of the band on the road in the early days.. Yes, I did have hair! Thats me with the fro! L-R Bob Young, Andrew Bown, John Coghlan, Danny Clifford, (Quo’s driver) and sitting on the floor with his arms round my leg is the wonderful Rick Parfitt..

This was my first tour with the incredible Status Quo. I very quickly formed a close friendship with them and long association until today.

 Every time Rick bought a new car (which seemed like every week) he asked me to his house to take some photos.. Here is one of his vintage Rolls Royce’s..

Every time Rick bought a new car (which seemed like every week) he asked me to his house to take some photos.. Here is one of his vintage Rolls Royce’s..

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Sound Check at Wembley Arena, London.

 Rick pretending to hitch hike whilst we were out in the English countryside. Quo were promoting a beer & cider that they had put their name to. We were on an farm at the time when we shot this.

Rick pretending to hitch hike whilst we were out in the English countryside. Quo were promoting a beer & cider that they had put their name to. We were on an farm at the time when we shot this.

Sadly, we lost the wonderful Rick Parfitt a while ago, which was a shock and, at the time, quite unexpected. In fact, Rick had been unwell and had had yet another heart attack, but, we didn’t expect it to end.. Strangely, Rick and I had been emailing each other just before he left us. It was all rather surreal. Anyway, I don’t want to dwell on the time when Rick left us all, but, I do try and remember the good times and there were many. He had such a great sense of humour and not to forget what a great musician he was. He was one of the greatest rhythm guitarists I have ever heard. I was away in Los Angeles last week and whilst I was there, I saw all over social media that it would have been Rick’s 70th birthday at the time. I was a bit too busy to write my own little bit commemorating what would have been Rick Parfitt’s 70th birthday. So, I raise a non alcoholic drink to you, ‘Tricky Ricky’ and wish you a Happy 70th Birthday, Mate!

 Rick & Francis in a shed on a farm. They were obviously discussing the best way to grow tomatoes!

Rick & Francis in a shed on a farm. They were obviously discussing the best way to grow tomatoes!

 This was Rick’s favourite shot of himself. I had just produced a big print for him just before he left us. One of his son’s Harry now has that. This reminds me, I must offer a print to his other children as well.

This was Rick’s favourite shot of himself. I had just produced a big print for him just before he left us. One of his son’s Harry now has that. This reminds me, I must offer a print to his other children as well.

 A cheeky looking Rick whilst we were on one of our outings…

A cheeky looking Rick whilst we were on one of our outings…

Abbey Road with Nile Rodgers

On Friday 21st I went down to Abbey Road studios today to firstly meet up with my friend and one of the very best record producers in the world, Andy Wright. ‘Shock Horror’ my wife Lyn actually decided to go with me. What a surprise that was for me! Anyway, we arrived and parked the car at the front of the studio. It’s always interesting when I go to Abbey Road Studios. The crossing must be one of the busiest in the world. There are always loads of people crossing and stopping for a quick photo ‘Beatle Style’. There are also quite a lot of people taking photos of anyone arriving and parking in the spaces at the front of the studio. Lyn and I went inside, signed in and headed straight to Studio 1. Andy Wright was starting a media TV interview. Lyn and I waited outside of the control room as requested by the media company who were filming him. So, whilst this was going on, I showed Lyn around the place. Studio 2 was open and no band in there. So, in we went and I showed Lyn where the Beatles recorded their classic albums. So, many other stunning bands have recorded historic albums there as well. Actually not only in Studio 2, but also studio 1. Actually, what am i talking about? The whole of Abbey Road and all studios and mixing rooms etc have pretty much produced amazing music over the years. Here is Lyn in Studio 2.

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As soon as Andy had finished, he, Lyn and I went into the famous canteen and had lunch. Whilst we were sitting there, Giles Martin (Son of Sir George Martin) popped over to say hello to Andy. He seemed very nice.

After lunch, we headed back to Studio 1. Where we met up with the lovely people from the record label & Nile and his manager, Merck. I first met Merck when he was with Sanctuary Records and that must be around 2002 ish.. However, Nile and I have known each other since 1980 when we both went to a Studio 54 party in New York. Nile, Diana Ross, Gene Simmons, Paul Stanley, Keith Richards, me and many others. That was also the night when I photographed the one and only Chuck Berry, who was performing at the club. I introduced Lyn to Nile as we reminisced about that night in 1980.. Mind you, we didn’t chat about that for long, as we had work to do. Nile is actually working on a track on the album that Andy Wright is producing. I can’t say too much about it, but, let’s just say that there quite a few major artists on it and Andy has done an incredible job on it. He really is an amazing producer. Anyway, Nile knew what he had to do and he got on with it. I did take some nice shots of Nile and some of the musicians who were on that session.

Here is one of Nile for now. The classic ‘One Sugar Please’ shot..

 Nile Rodgers Apparently counting in the musicians!

Nile Rodgers Apparently counting in the musicians!

I have lots more, but, they need to be held back for the record label, so they can choose what they want for the album.

#AndyWright #RecordProducer #NileRodgers #Chic #DavidBowie #AbbeyRoadStudios #Music #MusicPhotographer #TourPhotographer #London #Studio54 #NikonPro

The Private Exhibition

After all these years photographing in the music industry, I finally decided to have a little private exhibition. It took place last Wednesday & Thursday evening at our lawyers (Keystone Law’s) office, in Chancery Lane, London. Everyone who attended one of the show’s will probably agree that it was a great success. It was an unconventional setting as the offices are used daily by the law firm. So, we had to fit around them. I was thrilled to have the AMAZING Alexander Rosenberg as my Curator. What a fantastic job he did. Everyone who attended said how wonderful it all looked and it was primarily down to him. He was also assisted by our youngest, Sam Clifford. So, from Lyn and I there is a big thank you to them both. It would not have been the show that it was without them. Keystone Law also were fantastic and couldn’t have been more helpful and accommodating. Although we had quite a few of our friends attend the shows, it was primarily an event for Keystone Law and their clients. The feedback that we have had was fabulous. We would like to thank everyone who has bought one of our limited edition prints and also our Ultra Glaze Resins, as well. We have been overwhelmed by the response. I actually had no idea that my photos were going to be that popular with people. But, hey ho, there you go, they do seem to be. By the way, our photos can be purchased online at our website www.dannyclifford.com/prints So, please go there and check out the limited edition prints. Also, whilst you are there please sign up to our newsletter. You should see a pop up box asking for your email address. We will notify you of all of our shows coming up in the near future and details of special offers etc. Thank you to everyone who attended these two private shows and hopefully see all of you and more at our new shows coming up soon..

 Ronnie & Mick - May 1976

Ronnie & Mick - May 1976

 Karl, Sarah & Sam (Oh and Freddie)

Karl, Sarah & Sam (Oh and Freddie)

 Guests

Guests

 Part if the team and family as well. I wondered where my daughter sarah was, then I realised, she took this photo..

Part if the team and family as well. I wondered where my daughter sarah was, then I realised, she took this photo..

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 Me and Bob Young

Me and Bob Young

 Sam Clifford & our amazing Curator, Alexander Rosenberg.

Sam Clifford & our amazing Curator, Alexander Rosenberg.

 Phonogram Record’s Bob Nolan, Karen Fox and the one and only Bob Young

Phonogram Record’s Bob Nolan, Karen Fox and the one and only Bob Young

On the Rock n Roll Boeing - 'BobForce One'......40 years ago today!

September 13th 1978 was quite an important day for me. I was up at 5am. Showered and got a ride to a private part of Los Angeles International Airport. At 7:30am I finally found the Intertek Aviation private lounge. I went in and there were a few member of Bob’s band. I had never met them before, but, I did recognise them because I had now photographed them a few times. I quietly sat down and kind of nodded at anyone who made eye contact with me. I don’t recall speaking to anyone at all. The lounge started to fill up with all band members and lots of people that I didn’t know at all. After about 45 mins an old red car pulled up outside. I can’t remember what it was and more importantly, all American cars looked pretty much the same to me at that point. Then out of this oldish basic looking car jumped Bob Dylan. He had driven himself there. Someone took his car keys and he grabbed a small holdall from the passenger seat and he walked straight into the lounge. Then Road Manager, Mike Crowley said “OK, lets go”. Everyone grabbed their hand luggage and we all boarded the airplane. I went up the steps and found myself a seat on one of the armchairs. It was a real Rock n Roll jet. Beds, lounges, couches etc.. For its day, it was very luxurious. So, there I sat on my own as the doors shut and we started to taxi off and away ready for our flight. We were actually heading right over to the other side of the US. Our first destination was Augusta, Maine. It wasn’t long before we were airborne and on our way. After about half an hour, we had levelled out at our flying altitude and someone wandered around with a tray asking me if there was anything that I wanted. I glanced at the tray and declined. I couldn’t see any chocolate biscuits so they could keep all of the strange looking things on that tray! There were two members of the band sitting across the plane from me playing BackGammon. They were the whole width of the plane away from me. So, we hadn’t spoken at all up until this moment. One of the guys looked over and said “are you Danny the photographer” I said “Yes, I am” he said “come on over and sit with us” So, over I went and sat with them. I was watching their game, but, I didn’t have a clue how BackGammon is played and still don’t. I asked one of the band member’s his name and he was Jerry Scheff. I asked him how long he had been with Bob and he said about a year. I then said who were you with before Bob? He just said “11 years with Elvis” I nearly choked on my whatever I was chewing.. I then said to the other guy (Steve Douglas) and you? He said, “Elvis too”. This was amazing. I was thrilled. Anyway, as time went on, I took some photos on the plane. After a couple of hours, Bob sent someone down the plane and said, “Bob wants a word.” Up I got and went and sat with Bob for about an hour. I took some photos of him sitting on a couch. Bob, then took one of me standing up as I was holding a drink. Oh, and I also have hair! Well, I was only 20..

I had a lovely conversation with Bob on that first flight. We spoke about many bands I had worked with and he seemed rather interested in one band I had worked with quite a bit at the time, Dire Straits. That was a great flight and it was my first real conversation with the legend that is Bob Dylan.

I have posted a few stories leading up the the start of this Dylan tour 40 years ago. I will stop boring you all now and save the rest of the Dylan tour for my book. I can hear you all gently sighing with relief. Well, you can all now relax.

Here are a few photos from that first flight.. Including one of me, taken by Bob Dylan himself..

 Bob Dylan relaxing on my first flight.

Bob Dylan relaxing on my first flight.

 Me relaxing on the plane. Photo by Bob Dylan.

Me relaxing on the plane. Photo by Bob Dylan.

 There were only 3 Brits on this tour. This wonderful chap and drummer Ian Wallace, Jim Callaghan, Bob’s personal security man and me..

There were only 3 Brits on this tour. This wonderful chap and drummer Ian Wallace, Jim Callaghan, Bob’s personal security man and me..

 A very tired Paul Wasserman (or Wasso as he was known).

A very tired Paul Wasserman (or Wasso as he was known).

 The wonderful Billy Cross on the right in stripy jacket. He is an amazing musician.

The wonderful Billy Cross on the right in stripy jacket. He is an amazing musician.

 Jerry Scheff, playing Back Gammon..

Jerry Scheff, playing Back Gammon..

7:30am - Paul Wasserman is on the phone! 40 years ago today.

It was very hot there in Los Angeles on the morning of 12th of September 1978. I was laying in bed and it was 7:30am. I could hear the house phone ringing in the distance. I thought no more about it other than the fact that phones ring differently in the US. Then suddenly there was a knock on my bedroom door. Auntie Connie was there saying that there was a Paul Wasserman on the phone. I jumped out of bed and followed her to the telephone. I said, ‘Hi Paul’ he said, ‘So, Danny, what brings you to smoggy LA?” I immediately said I was working with a few British bands that were out here in LA. He quickly got to the point of the call. He said, “Okay Danny, you kindly dropped your pictures from Paris into my office. Bob and his manager, Jerry Weintraub popped in yesterday and Jerry & Bob love your photos” I was rather thrilled to hear this. Paul then said, “ I have three questions for you. How old are you? Have you a green card? Are you available to do Bob’s tour and we leave tomorrow?” I answered him and said, “I am 21’. This wasn’t true as I was actually just 20. But I had figured out that you have to be 21 to buy a drink out there. I didn’t want my age to be a problem. However, what an idiot I was, as it showed my correct age on my passport should anyone want to see it. The second question was if I had a green card (Permanent resident card for living and working in the US). I said “No, but I will get one”. Again, what an idiot I must have sounded. You can’t just get one and in reality they are very hard to get. The third question, was I available? Now when I think that I had been planning this journey for quite a time and here I was on the brink! So, what did I say to Mr Wasserman about my availability. I said, “Sorry I am really busy and don’t think I can do it” He said, “ Oh that’s a shame, Bob really wanted you to come on the tour.” I then quickly said “I am only joking, I would love to come on the tour” Paul Wasserman then said and quite abruptly, “Well, don’t joke with me, be at my office in Beverly Hills by 10am today” Now I was standing up straight and paying proper attention, in fact I almost was saluting whilst I stood there in my underpants. I was thinking bloody hell.. I need to get myself dressed and down to his office.

I got to his office by 9:30 and informed the receptionist that I was there to see Paul Wasserman. A few minutes later, out he came and seemed quite happy and jovial. He said “Morning Danny, follow me” which I did into his plush office. Once we sat down he simply said, ‘Bob loves your photos from London and also now, Paris and he wants you on the tour” We discussed the details in which it was paramount for me to retain and own the copyright to everything I shoot. He agreed and basically we shook hands and he handed me the envelope with my Paris photos of Bob and he said “ You are now Bob Dylan’s official photographer. See you tomorrow morning at 8am at The Intertek Aviation private terminal at LAX” (Los Angeles International Airport). I walked out of his office and got back into my cousin Paul’s Beetle convertible. Before I started the car, I just sat there and took a moment. I looked up at the blue sky and just thought to myself, how the hell has this happened? I am a 20 year old Londoner and now, I am Bob Dylan’s official photographer! I was rather pleased to say the least.

ON A MISSION - 11th September 1978

I was slowly getting over the jet lag. After all I had only arrived about 4 days earlier from London. I borrowed a bright yellow convertible VW Beetle from my cousin, Paul Fisher (Paul was grandson of one of my grandmothers other sisters in LA, Kitty), The Beetle had a badly damaged front wing and I remember the drivers seat having horrible sharp metal springs coming through the seat. One of which ripped my trousers. Anyway, it was a car and I was grateful. Off I went and left Salisbury Avenue, Canoga Park in LA and aimed myself in what I had hoped was the direction of Beverly Hills. Now, there were no SatNavs in those days, only a pretty rough map. So, after quite a few wrong freeway decisions on my part, I eventually arrived in North Robertson Boulevard in Beverly Hills. I parked up and picked up my rather large envelope, which I had taken with me containing transparencies of Bob Dylan’s Paris show a few months prior to this. I found the office with the sign outside Mahoney Wasserman. Well, this was it, the same name on his business card which was in my other hand. So, deep breath and in I went.. Once inside the very smart reception area, I walked up to the reception desk and asked for Paul Wasserman. The lady on reception asked my name and called through to one of the offices deeper in the building. I was asked to take a seat. After a few minutes, a young lady came out to meet me. She said, ‘Hi, I am Candy Coffee, Mr Wasserman’s assistant.” Now, as she told me her name, all I could think was, this is brilliant ‘Candy Coffee!’ what sort of name is that? I only heard names like that when I watched the Marx Brothers films. I also thought, wake up sunshine! This isn’t London, this is LA. Maybe that’s a normal name here! After all this was pretty much my first trip out on my own since I arrived in the USA.. Candy asked how she can help me and explained that Paul Wasserman was out. I explained that I had met Paul in Paris and he allowed me to shoot the Bob Dylan show there. I suggested that I leave the transparencies with her to show Paul when he returns later, which I did. Now when I think about that, it was quite mad leaving original transparencies with someone who I had never met, was a little bit daft, to say the least. I gave her my LA contact details and politely left the office and headed back to Canoga Park. I was still hoping that Paul Wasserman might get in touch with me after seeing the photos. But, I knew it was a long shot, it always is. After all, I had made the leap and actually travelled from London to LA and I was really on a mission! As they say these days, if you don’t buy a ticket you cant win the lottery! Now it was a bit of a waiting game for me, will Paul Wasserman call me?

Here's a question?

What have the following artists got in common?

Steve Winwood, Jack Bruce, Paul Carrack, Madeline Bell, Beverly Knight, Mica Paris, Imelda May, Roachie, Steve Overland, Vanessa Haynes, Joss Stone, Kiki Dee, Lulu, PP Arnold, Sam Brown, Louise Marshall & Gerry Beckley..  

Well, the answer is that they have all performed with the incredible STAKS BAND.  

STAKS are fast becoming a little bit legendary as everyone wants to play with them. I hasten to add that people are referred to as Legend's or Legendary all too often these days. Yes, it's is over used and doesn't have the gravitas that it once had. But, this band, who I am sure most of you out there have not seen or ever heard of, are very special indeed. Bob Dylan had a time when he had 'The Band' behind him. Yes, Rick Dank, Levon Helms, Robbie Robertson etc. The band were quite unique back in the day! So fast forwarding a decade or two and here we are with STAKS.  They are without doubt, world class! I have worked with so many bands and artists over the years and this band are about as good as it gets.  It's also refreshing to hear some of their influences coming through; one of which is the amazing Joe Cocker's 'Mad Dogs and Englishmen' era. They are the band that everyone seems to want to perform with and if you see them, I think you will understand why!

Here are some shots of STAKS over the past couple of days rehearsing and some live shots as well. The actual gig was a rather superb private party. Lead vocals by the incredible Steve Overland and sensational Vanessa Haynes.     

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Keith Moon Dead at 32..

On this day, September 7th 1978, my Pan Am flight touched down in Los Angeles. It was mid afternoon and we had flown, non-stop from London. That might sound ridiculous to some people now. But, only a few years prior to this, most flights had to stop and refuel on the way. Usually in Bangor, Maine.  So, we landed and I was excited.. I filled in my i-94 (immigration form). We disembarked and headed into the terminal. I can still remember how I felt at that time.. I wanted to find post cards and send them home as well as call everyone I knew in the UK and tell them I had arrived. I was so excited! Funnily enough, I didn't actually do either. I just followed everyone and headed through passport control and immigration.  I was asked a couple of questions, like, how much money I had and where will you be staying whilst I was in the US. I got through that little quiz okay and then proceeded outside of the terminal with my suitcase and camera bag. So, now what? I had a few numbers of my relatives who lived out there. My grandmother, who lived in London, was, in fact, one of eleven children. Three of her sisters actually lived in LA I had my auntie Kitty, Connie & Bessie. So, the first call was to my auntie Connie who I knew lived in Sherman Oaks, CA. But, I hadn't seen her since she was in the UK when I must have been around 10 years old. I remembered her being absolutely lovely.  Firstly I had to change up some money and get enough change for a telephone box. Then get into a phone box and try and get hold of my aunt. I got through straight away and I heard her lovely quiet little English voice. I said, "Auntie Connie' she said, 'yes, who is that" I said 'Daniel'. She didn't know me as Danny. There was a kind of awkward silence. I realised she didn't have a clue who I was. I then quickly said, 'You know your sister in London, well I am her grandson" She then said 'Oh, Daniel! How are you?" I said "I am fine thanks, oh can I stay with you for a few days' She quickly said "of course you can. When are you coming to LA?" I then said "Well, I am already here, I am at LAX" I heard her gulp and again the silence.. She then asked me if I have got a car? She swiftly realised I was bloody stupid and that I had just arrived and got off a plane.. She then asked me where exactly I was. I told her where I was standing and she said I would have to wait a while and she would get on her way. Obviously in 1978 there were no mobile phones.  So, I  didn't move and just sat on my suitcase and waited. I think my aunt must have been around 80 then. So, the poor lady had to drive on her own to a place she never went to, miles away from home and it must have been a little daunting for her to say the least. Now this was such a busy airport. In fact it was all a bit frantic there.  It still is today! So, I was keeping my eyes peeled for auntie Connie. I couldn't remember what she looked like at all.  So, I waved at every lady of a similar age that pulled up or passed where I was sitting on the pavement, in the hope that it might be her.   I had one lady flip her finger at me and I sat there and thought what was that about. Then realised that there I was waving at women on there own in cars and she must have thought I was trying to pick them up. How funny was that! Then after about two hours, a little elderly lady came slowly along the side of the terminal and I knew it was her straight away. She looked just like some of her relatives in the UK.. She stopped, I got in and off we went. She drove out of the airport and we headed up on the 405 Freeway.. For those of you who know this part of the world, the freeway heads up a hill past the round building that was once a Holiday Inn where Sheryl Crow used to play piano and sing at weekends. Anyway, as we got to the top of the hill where you can suddenly see the vast San Fernando Valley and all sparkly lights everywhere. Then suddenly, auntie Connie put on the radio to get traffic reports as we were now in the evening rush hour. As she put the radio on, the first thing I hear is a news report saying Rock Star drummer Keith Moon was found dead in his London apartment. I couldn't believe what I was hearing. I was absolutely stunned. I explained to my auntie what this was about. She had never heard of The Who or Keith Moon. But, she understood once I had explained that he was a friend of mine and that he was now dead! I couldn't believe it. He had dropped me at Victoria Station the day before. He had died in his apartment in Curzon Place. The apartment owned by Harry Nilsson and also the same apartment where Mamma Cass from Mamas & Papas had died recently. For the next few days all I heard on the radio was The Who's latest album Who Are You! When we got back to my aunts house, the jet lag started to hit me and I was struggling to keep awake. My brother Simon had been on the phone as he was trying to find out where I was. He also gave me the horrible news about Keith. I am not entirely sure if Simon met Keith. My brother was quite young at the time, but, I have a funny feeling Simon came to the office and came into the Ship with us for a drink. I will ask him about that.. 

So, now it was time for bed. I knew that the next day I had to find a relative with a car that I could borrow and make a plan for me to head to see Paul Wasserman at Mahoney Wasserman PR, North Robertson Boulevard, Beverly Hills and say hello and show him my Dylan photos from Paris..  So, off to sleep, boy did I need it..

Below are a couple of photos reminding me of my first moments in LA.. The sunset and palm trees and a freeway sign for the 101 Freeway, heading to Sherman Oaks.. 

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40 Years ago today, I said goodbye to Keith Moon...

It had arrived and this was going to be my big day.. I had decided to head off to Los Angeles and try and get myself hired as Bob Dylan's official photographer.. yes, a very long shot. All I had was Paul Wasserman's business card. He was Bob's PR man. He had given me his business card when I met him in Paris earlier in the year. He had said to me, look me up if you get to LA. So, I had the transparencies of Bob that I had taken in Paris, and now I was about to head West and give this a good go..

When I was a little kid, I used to watch those big Hollywood movies on Sunday afternoon's at home in England with the family. So, from a very early age it was a kind of dream for me to go to America. Well, it was a dream and today it may well come true.  A few days prior to this I had visited my grandmother in North London and she had lent me a couple of hundred pounds. All in all I seem to remember having about £300 in total.

It was a sunny Wednesday morning 6th of September 1978, when I kissed my girlfriend who is now my long suffering wife, Lyn, goodbye at her house in Hatch End, on the outskirts of London. I jumped on a train and headed to my office.  Or more accurately, The Who's office in Wardour Street, Soho, London. When I got there, I ran up the stairs to reception. Yvonne was there sitting behind the desk.  She was very smiley and very funny. Every day when I arrived I asked her the same boring question "has anyone called for me Yvonne" to which the answer was almost always a little chuckIe and a 'NO'.  It was always funny asking her as nobody ever bloody rang me (well a few people occasionally). I wandered down the corridor and went into my office. There really was very little for me to do there. But, I had plenty of time to kill. Back in those days, the major airlines would offer out what was called 'Standby Seats' In other words, if a flight had what looked like 10 unsold seats, they would allow anyone waiting for standby to buy one in the last min and travel.. Now, the major trans Atlantic airlines back then were, TWA, Pan Am, British Airways and newcomers, Laker Airlines. They all had the standby sales desk at a big London railway station called Victoria. This was the only place one could buy a Standby ticket. So, there was I sitting in my office contemplating this very exciting impending episode in my life. I had made sure that everything that I had been meaning to do had been dealt with, which in truth was very little. In those analogue days all I had to do was make sure everyone had been sent photographic prints that needed them and that was really about it. Music magazines and papers, Sounds, Melody Maker and NME had everything from me that was required. I sat in my office and wondered what to do now. Was it too early to go to Victoria Station and get in line for a possible ticket? Then I thought, I know what I will kind of get on my way and stop off and see Keith (Moon) on my way. After all, he was so encouraging of me and we had been discussing for weeks about me trying to get on the Dylan tour.. He lived just off Park Lane at Flat 12, 9 Curzon Place, London. This was very much on my way to Victoria Station. So, off I went and turned up at Keith's flat. He hadn't long moved there. I might be wrong, but, I think he and his girlfriend Annette Walter Lax had only been there for a month or two. The apartment actually belonged to singer, songwriter and another Hellraiser, Harry Nilsson.. Anyway, when I arrived, Annette had been making some sort of pasta ( I think Spaghetti) I really cant remember. Keith and I spent a while chatting about various things and then he said, come on lets give you a lift to Victoria. It was only probably a mile from his flat. But, Keith didn't actually drive. At that time, he had a driver called Richard, we all affectionately called him Big Dick for no apparent reason, other than he was a bloody big bloke and his name was Richard, abbreviated to Dick.. So, there you go! I am pretty sure it was big dick that drove me and Keith to Victoria Station. We pulled up outside Victoria and said goodbye to each other.. He wanted me to let him know how I got on in LA. There were no mobile phones or emails in those days. Communication was really just a phone call to a house or office or an old fashioned letter. Keith was then heading back to the apartment as he was going out with Annette as a guest of Paul & Linda McCartney at the Buddy Holly film premier and party.    

As I walked into Victoria station, I wandered around and found the airline desks.  Although it was only mid or late afternoon, lines were already forming at each desk. I had a quick look at them and I had to chose which one I was going to try my luck with. I thought that the Pan Am line looked the shortest. Well that's what I thought at the time. It may have also been the fact that I had this romantic idea that Pan Am was the airline I should choose as  back in the 1920's & 1930's they had those wonderful flying boats. I am sure I had seen films with Pan Am flights landing in Acapulco or Rio de Janero etc. On that basis, Pan Am it was.  I then thought, right, there are 30-40 people in that line. Now, not all of them will be heading to LA. Some will be trying to get to NY, Chicago, San Francisco, Boston etc. But, I thought, who knows, they MIGHT all be aiming at LA. So, I didn't want to take a chance. I really wanted to one of the lucky people who got a ticket. I was conveniently wearing a blue Wrangler jacket, kind of similar to some of the Pan Am staff who were not actually at their desks. In fact I saw on the desks a sign that had just been placed saying 'This desk re opens at 6am'. Off I went and found a few sheets of white paper and got my pen out of my pocket and proceeded to head to the person at the front of Pan Am's line. "Good afternoon" I said. 'Now, you are first in line, number one, may I take your name?" The very polite person then gave me his name. I proceeded up the line and made a note of everyone. I spent nearly all night waiting in another part of the station. The next morning on the 7th of September at about 5:30am the next day, I slowly crept around to the area behind the line of potential Pan Am travellers. As soon as I saw Pan Am staff approaching the desk at about 6am. I was immediately at the front of the line chatting to person number one. Asking rediculous questions like did you manage to sleep, where are you heading. Do you have family in the US etc.. Then the card on top of the desk was removed and the desk was opened.. We were in business... I said to passenger number one, please hold on here for one moment as I had my big list with him at the top. I walked forward to the young lady on the desk. I was about 10 feet ahead of the line and i very quietly said to her. Good morning, have you any seats for Los Angeles? She had a quick look and said yes, we have six today. I said oh that's fabulous. I only want one please as we joked. I handed her my passport and the required amount of cash. All of this I was doing as discreetly as I could so that the people behind me couldn't see what was going on. I was leaning over the desk in a way that kind of implied that we all knew each other. She then said here is your passport and ticket Mr Clifford. Have a lovely time in LA. Please head outside and board bus marked for heathrow airport Terminal 3. I turned around and walked up to the chap who had politely been waiting and I said, "Okay sir, you are number one, please go to the desk" off I went and got on the bus. 

Once all of the lucky travellers had boarded the bus we were on our way to Heathrow Airport. As we were getting off at the airport I was waiting for my suitcase by the side of the coach and the man who was number one in the line behind me at Victoria, just quietly said to me 'Do you work for Pan Am' I said to him' No I don't. He looked bemused and said, "but, you took our names and wrote it all down on a list' and I just quietly said to him "Oh, I always do that'. I did laugh inside and walked inside the terminal and started my journey off to the USA and Los Angeles for the first time.. I was so excited.. 

From memory, the beautiful Boeing 747 Jumbo jet left Heathrow mid morning. This was all new to me. I had flown quite a bit around Europe. But, this was different. The plane was enormous compared to all other flights I had been on. We were given plastic ear pieces that were virtually, long plastic bendy hollow things that plugged into the armrest and we could all then watch the one screen that was being projected onto a white screen in the middle of the plane at the front. One could hardly see anything on that screen though and the sound through the bendy plastic tube was awful. But, I loved every minute of it. I got up and had a wander around the plane on this 11 hour journey and I remember being amazed when I looked down at the ground once we had crossed the Atlantic, where I could actually see tiny little trucks driving along what looked like Freeways. It was so exciting and I couldn't wait to get to Los Angeles. I didn't even mind standing with the smokers at the back, even though I have been a life long non-smoker. Yes, there was a smoking section back then. Hard to actually imagine that now..   

It was for me a wonderful flight and full of adventure and excitement. I was 20 years old and I was really trying to make a name for myself and get on that Bob Dylan tour.. I sat back in my seat and buckled up as we were now on the final approach into Los Angeles International airport.. Then it started to dawn on me.. where do I go from here.... I mean really! I am not joking, suitcase & cameras in hand, I didn't yet know where I was going to stay..  

to be continued..........

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John Altman presents - an evening with Bradley Walsh

Another amazing evening last night at the Pizza Express in Holborn, London. My friend John Altman had another fabulous 'Sold Out' evening with the hilarious and unbelievably interesting, funny and witty, Bradley Walsh. Bradley had only hours before stepped of a plane fromNew Orleans to London and jumped on the underground and turned up.. What a superb evening.. Here are a few shots of Bradley Walsh with John and a couple with one of the worlds greatest jazz guitarist's, yes, it's Mitch Dalton!

 

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Bradley Walsh

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l-r Mitch Dalton, John Altman & Bradley Walsh

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Bradley Walsh

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It's exhibition time! 'Up Close & Personal' Who wants to come along?

In all my years as a photographer, I haven't actually exhibited my work. Saying that, I did have one exhibition at the amazing Proud Gallery in London in 2006. It was a pretty crazy event and there was lots of publicity surrounding it. I did quite a few TV & radio interviews and on the opening night, which was guest list only. it was rather rammed to say the least. I had calls from celeb friends of mine saying that can't get on the guest list. It was a complete sell out so to speak. We had many celebrities show up there, including some Sex Pistols, Suga Babes, Pogues, Libertines, TV presenters and many more. The exhibition was exclusively my photos of my previous few years on the road with Babyshambles. That is, Peter Doherty, Kate Moss et al. So, this in itself caused quite a stir. 

Now, this evening event, on September 19th & 20th, is the first time ever that I have exhibited a broad selection of my photos. They will include, Bob Dylan, The Rolling Stones, Amy Winehouse, The Who, Queen, Pink Floyd. Rory Gallagher,  Eric Clapton, Dire Straits, Chuck Berry, Squeeze, Tom Petty, Status Quo, Van Morrison, Shane MacGowan, Leonard Cohen, Johnny Cash, George Michael, Ian Brown, Oasis and quite a few more. 

Many of the photos will have the back story of how and where the particular image was taken. I must say, some of the information is rather interesting. Incidentally, all of the photos are limited edition prints and will be available to purchase for which we will be taking orders on the night. Whilst there is absolutely no obligation to buy anything, it may be worth me pointing out that it will only be about 13 or so weeks until the holiday season, yes Xmas etc. They might make a lovely gift for someone.. In any event, if you are do get to be on my guest list on the night, you can just enjoy the Champagne and other refreshments and have a look at the photos and have chat. I am planning on being there with the family on both evenings. 

The event is actually a private event in Central London, as mentioned above, on the evening of both, September 19th & 20th. It is being hosted by our wonderful lawyers, Keystone Law. They invited me to hold my first exhibition at their International Head Quarters in Chancery Lane, London. I am told it should be quite an event. They are inviting all of their lawyers and their clients as well. But, I have room for approximately people 50 on my personal guest list. So, if you fancy coming along and seeing these photos 'Up Close & Personal' for the first time, please go ASAP to the contact page on my website  ( www.dannyclifford.com ) and fill in your details and a message saying that you would like to come along and how many there would be of you. It is first come first served.. So, please do it now! Those of you that are successful in getting on the list will be emailed with the invite and full details in due course.

Oh and whist you are on the website, please join our mailing list..

 

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A little drink with Keith Moon, 40 years ago today!

In the late 1970's I had an office in The Who's management office in Wardour Street, Soho, London. I have always maintained that I didn't really need an office, but it seemed like a good idea at the time. The Who were in and out of the office quite a bit at this particular time. They had just recorded their brilliant album, 'Who Are You' and the world was going mad for them. Keith came into the office to see Bill & Jackie Curbishley, who managed The Who. Bill & Jackie's office was up a spiral staircase in our office complex. When Keith came down after his meeting he wandered into my office and laid as usual on my couch (or his to be more precise). He asked me how much money I had on me. I said I have a bout 3 or 4 pounds! He then said quick give it to me and I will buy you a drink. He always did this. This was a regular ploy and I never got it back. I think Bill & Jackie were trying to keep his cash down to a minimum as they were trying to get him back on the straight and narrow and stop him living the crazy extravagant lifestyle he had become accustomed to. So, after handing my last few pounds to Keith, he then said see you in the pub. What do you want? I said I will have Gin & Tonic. Off he went. I gathered my things, as I usually didn't go back into the office once I was out with Keith. I closed my office door and wandered off down the corridor and down the one flight of stairs and straight into The Ship pub. This was right next door to our office. How convenient! I was walking along Wardour Street not too long ago and stopped and looked at the table where Keith and I would often sit. This was August 1978 and it was a lovely hot summer afternoon in London. When I look back now, it was kind of magical in Soho in those days. I suppose everyone likes looking back at the happy days, only remembering the good things, which is fine with me. So, back to The Ship and Keith.  I walked into the pub using the side door which was in the ally way. The pub was directly opposite our front door. There he was sitting like a naughty school boy. My Gin and Tonic was on the table. Keith was a very funny guy. Everything he did was entertaining and he wasn’t often serious about anything. Keith had just turned 32 a few days before and I was 20. Yes, there was an age gap, but that didn't really matter, we got on very well.  By the way, Keith was on this occasion wearing some horse riding clothes and hard hat. He also had a whip to ad some riding authenticity. I may well be wrong, but I have a funny feeling that Keith didn't actually ride horses, but I am sure there are better qualified people who would know the answer to that, like Dougal Butler and others. So, there we were chatting away about various things and one thing was Bob Dylan.  Keith new that I had recently been in Paris photographing Bob and he asked me if I was doing anything else with him. I said I was thinking of trying my luck and heading over to LA to try and blag my way on to Bob Dylan's world tour. It was going to be a real long shot for me. Firstly, I had no money and secondly, why would Bob hire me? Keith sat there and said "you should definitely go and try". I had actually made my mind up before Keith had said this anyway. But, like I said, my problem was lack of money.  We soon left the Ship and headed over to Berkeley Square, London and into the infamous 'Mortons Wine Bar'. Keith had a secret account there. So, we carried on our afternoon drinking session until late evening. I seem to remember making my move and escaping quite late and heading off home.  I was now plotting my first trip to the USA and I was also trying to work out how I was going to negotiate the madness of getting myself at 20 years old onto Bob Dylan's 'Street Legal' world tour.  If I was going to attempt it and head to Los Angeles and get on that tour, I only had about a week to get things organised and arrive in LA. 

 

Here are a few shots. One of the Ship in Wardour Street. The next shot is of the print shop (once a drum shop) and above it was Bill & Jackie Curbishley's  (Trinifold Management) offices. Last but not least the lovely Kit Moon. Keith's lovely mum. Coincidentally taken in Wardour Street outside the old Marquee Club. Photo taken when a blue plaque was placed for Keith there in 2009 

 The Ship, Wardour Street, London. 

The Ship, Wardour Street, London. 

 Above this Printroom was the Trinifold Management offices. My office was at the side overlooking the allyway.

Above this Printroom was the Trinifold Management offices. My office was at the side overlooking the allyway.

 Keith Moon's mum, Kit Moon. Outside the Marquee in 2009.

Keith Moon's mum, Kit Moon. Outside the Marquee in 2009.

Big Happy Birthday to my mate, Glen Matlock

Happy birthday Glen. What a top bloke, proper geezer and of course, original member of The Sex PistoIs. Yes, he is the superb songwriter who wrote most of their songs. 

Here are a couple of shots I just found from one of our escapades. Both of these were taken in Istanbul, Turkey in 2004. He looks super cool don't you think? The first shot we took late at night down by the fish market. The second shot was taken in the covered, Grand Bazaar. By the way, one of the oldest and largest covered markets in the world. It has 61 streets and 4000 shops.. No wonder Glen, the band, (The Philistines) and I decided to have a rest in a coffee shop.. #GlenMatlock #SexPistols #ThePhilistines #Turkey #Istanbul #Tourphotographer #NikonPro #BritishAirways #Tourism #RichKids #MusicPhotographer #Coffee #Howaboutwegoagain

Oh and Glen has a new album out about now. I cant wait to hear it.. Go and buy it, as I am sure it will be fantastic.. 

 Istanbul, Turkey 2004

Istanbul, Turkey 2004

 Istanbul, Turkey 2004

Istanbul, Turkey 2004

Iron Maiden & Clive Burr - March 2002

Where does the time go? I just stumbled upon some photos form the Iron Maiden, Clive Burr benefit concert in London in March 2002. I was actually looking for something completely different and saw the backstage and after show party pictures. Clive was a lovely guy and its all so sad that he left us so young! I think there were two nights, one after the other. Anyway, the Mighty Iron Maiden were on top form and Clive was lovely and very happy on the night. Here are a few pics from the night and a few from the after party.. Amazingly, this was 16 years ago. For those of you who know my daughter Sarah, check out these photos. She does love a party, or at least, did back then. Actually, what am i talking about, she still does!

 Dave Murray & Adrian Smith (Stunning guitarists)

Dave Murray & Adrian Smith (Stunning guitarists)

 The Mighty Bruce Dickinson..

The Mighty Bruce Dickinson..

 Emily Cash, Adrian & Nathalie Smith

Emily Cash, Adrian & Nathalie Smith

 My little girl, Sarah Clifford & Dave Murray

My little girl, Sarah Clifford & Dave Murray

 Bruce Dickinson & Clive Burr

Bruce Dickinson & Clive Burr

 Janick Gers, Clive Burr, Adrian Smith & Nathalie Smith.

Janick Gers, Clive Burr, Adrian Smith & Nathalie Smith.

 Paddy Hegan, Clive Burr & Robert (California) Roberts

Paddy Hegan, Clive Burr & Robert (California) Roberts