David Gilmour - Pink Floyd

Photo 01-06-2018, 15 10 57.jpg
Dave Gilmour Knebworth 75 a c 05.jpg
Photo 01-06-2018, 15 10 57.jpg
Dave Gilmour Knebworth 75 a c 05.jpg

David Gilmour - Pink Floyd

from 300.00

David Gilmour, Pink Floyd
Knebworth UK, 1975

David Gilmour (Pink Floyd) Knebworth 1975. Limited edition of 500. Each print is numbered and signed by Danny Clifford. Includes numbered and signed Certificate of Authenticity and unabridged backstory (excerpt below):

Available framed or unframed. The print will be numbered somewhere between 1-500, subject to availability. All prints produced with the very finest archival, acid free museum paper. We offer two types of frames: ‘Gallery frame’ uses thin, elegant, glossy black wood with mount and standard glass. ‘Luxury frame’ has a thicker body (also gloss black) and includes LRI glass (Low Reflection Invisible) to filter UV light more effectively, enhance the display and prolong the life of the image.


[…] Upon leaving school, I befriended a lovely guy called David Meek who had a photographic studio on Upper Street in Islington, north London. It was during a period of time where I had been using David’s studio a lot, when it came to my attention that, just off, nearby Essex Road, was Britannia Row. Already one of my favorite bands from when I had been studying photography, I knew very well that Britannia Row was home to Pink Floyd’s rehearsal studios and offices.

One lunchtime, in my naïve enthusiasm, I decided to wander up and down Britannia Row, thinking of ways to get involved with Pink Floyd. I reached the front door to an old church. There were no signs, but I figured that this must be the place. I pressed the intercom and a lady answered:

“Hi there, I just did the sandwich on the something when you with the band at all, if you please?” I mumbled into my hand, breaking up the sound.

“I’ve got the fishcake, for the what you do when it’s the minute.”
“Sorry, I can’t understand what you’re saying.”

Eventually, assuming there was something wrong with the intercom, she pushed the buzzer and told me to come up. I was in.

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Our Fine Art prints are produced on museum-quality, acid-free archival paper. We only use the very finest quality paper, for a combination of aesthetic perfection and ensured longevity. As such, we have selected Permajet as our printing partner. We use top-of-the-range Epson UltraChrome K3 ink on cutting-edge, Giclée printers, such as our Epson Stylus Pro 9880.

Each print is delivered in an acid-free wrap and we also supply a pair of cotton, museum gloves for further handling. You will also receive guidance on how best to preserve and protect your artwork, including recommendations for mounting and framing. If you have any further questions about maintaining or displaying your print, feel free to get in touch via the contact page.