Keith Richards - The Rolling Stones

Photo 24-05-2018, 16 13 05 (15).jpg
Photo 24-05-2018, 16 13 05 (15).jpg

Keith Richards - The Rolling Stones

from 300.00

Keith Richards - Rolling Stones 40 Licks US Tour 2003. Wembley, London UK. Limited edition of 500. Each print is numbered and signed by Danny Clifford. Includes numbered and signed Certificate of Authenticity and unabridged backstory (excerpt below):


[…]Studio 54 was the first club I had been to where a real selection process was going on at the door. The queues were immense and whole crowds were being sent away on the basis of some thing or another; presumably they weren’t ‘someone’ enough. However, arriving with Diana Ross and half of Kiss meant that we were ushered straight in without question. Upon entering, it was immediately obvious that Studio 54 was in fact a big deal - the place was overflowing with famous faces. Leaning against the bar, shaggy and worse-for-wear, was Keith Richards. Those were the days when I would have a drink - not a lot, but more than I drink now, which is not at all - so somehow Keith and I ended up having a few together. We chatted at length about his work, about my work and about the first night I shot The Stones in London’s Earl’s Court in May 1976. At one point, he turned to me with bleary eyes and put his hand on my shoulder. “Danny,” he slurred, looking me right in the eye, “you are one cool cat.” Needless to say, I felt pretty chuffed. Keith Richards, one of the coolest men on Earth, the legendary rock and roll pirate, thought that I was a ‘cool cat’. The feeling of pride lasted all of five minutes, until he leaned over to the barman and said, “hey man, you’re one cool cat.” That night, Keith proceeded to refer to every person he spoke to as a ‘cool cat.’[…]

Available framed or unframed. The print will be numbered somewhere between 1-500, subject to availability. All prints produced with the very finest archival, acid free museum paper.  We offer two types of frames: ‘Gallery frame’ uses thin, elegant, glossy black wood with mount and standard glass. ‘Luxury frame’ has a thicker body (also gloss black) and includes LRI glass (Low Reflection Invisible) to filter UV light more effectively, enhance the display and prolong the life of the image.

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Our Fine Art prints are produced on museum-quality, acid-free archival paper. We only use the very finest quality paper, for a combination of aesthetic perfection and ensured longevity. As such, we have selected Permajet as our printing partner. We use top-of-the-range Epson UltraChrome K3 ink on cutting-edge, Giclée printers, such as our Epson Stylus Pro 9880.

Each print is delivered in an acid-free wrap and we also supply a pair of cotton, museum gloves for further handling. You will also receive guidance on how best to preserve and protect your artwork, including recommendations for mounting and framing. If you have any further questions about maintaining or displaying your print, feel free to get in touch via the contact page.